Overview
In Rhea (1982), Askevold elaborates on his interest in allusion and implication, using images that seem to be fragments of a larger narrative to suggest, rather than tell, a story. This piece consists of a series of close-up shots of numerous people, each stating a name or phrase. The shots gesture towards the type of staged reaction shot, often used in soap operas or made-for-TV movies, interrupting the linearity of the story.
Year 1982
Studio
Director David Askevold
Crew David Askevold (Director), Ian Murray (Production Assistant), John Watt (Production Assistant), David Askevold (Director of Photography), David Askevold (Music), Shannon Griffiths (Assistant Editor)
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