Overview
A symbolist portrait of two gypsies in love, this captivating film finds Dulac deconstructing onscreen gender roles and striving to achieve her idea of cinema as a “visual symphony,” emphasizing rhythmic editing over acting to achieve a “cinema of suggestion.”
Year 1926
Studio
Director Germaine Dulac
Crew Germaine Dulac (Director), Maxim Gorky (Short Story), Germaine Dulac (Adaptation), Maurice Forster (Director of Photography), Paul Parguel (Director of Photography), Maxim Gorky (Story)
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